I’m psyched to have published seven of my poems with Zombie Logic Review, one of the best spaces for outlaw poetry on the Internet (and NPR approved!)
I’m a huge fan of retro video games. Like many Reagan babies, I owned an NES, a Nintendo lunch box, ate Nintendo cereal, watched the Super Mario Bros. Super Show; I could go on, but you get the idea. After the NES faded in popularity, I went on to the Super Nintendo and Sega Genesis, then the PlayStation and Nintendo 64, before losing interest when I attended college (Parties are more fun. Studying has its purpose too, I suppose).
Now, at 33-years-old and with a little bit of disposable income, I’ve started to collect some of the games I missed purchasing in my childhood. There are certain “brands” that I’ll buy pretty much anything from (e.g. Mega Man; Castlevania; Ninja Gaiden; The Legend of Zelda; Metroid; etc.), but what about the games I didn’t get a chance to play or that were unknown to me back then? I’ll buy a few of those too, but only if I see a demonstration on a YouTube channel, and hear some reputable voices vouch for it.
The reason I include this anecdote is because the same methods that work for alerting me to retro video games that I should give a chance are the same ones that alert me and many other readers to self-published writers that are worth a read.
Dispel the notion once and for all that if you write it, they will come. They won’t. You have to get noticed or self-publishing is an exercise in futility if your goal is to make money and/or get people to read your writing. I’ve known many talented writers who choose to self-publish. What happens when they release their books? Nothing. It’s every self-published writer’s worst fear.
So, how exactly do you get readers and sales for your eBook?
- Win over an influencer. Some think getting good reviews on Amazon or Smashwords are enough. Not true; they help, but you need to draw traffic first. The best way to do that is to have an Internet influencer promote you on their media. Who exactly qualifies as an influencer? A good ballpark figure is at least 1,000 followers on social media or WordPress, or the face behind a heavily-trafficked website that many people in your niche know about. While press anywhere helps, to get real results you need to get an endorsement from an Internet “star.”
- Give some of it away for free. That means giving free copies of your book to influencers. That means putting up chapters for free online. You’re not Dan Brown or Stephen King yet, so you have to earn your readers’ attention and show that you’re talented.
And that’s it. Are there other ways that you can promote your eBook? Of course. That said, if you want results in a big way and quickly, focus on the big win. Anything else is often just a tiresome waste.
Have you had success as a self-published author? Share a comment below to help aspiring authors.
A month and a half ago, my fiancee and I moved from Connecticut to Baltimore. The arty, weird, almost anarchic qualities of Baltimore City seemed to be a perfect fit for a quirky couple like us. The fact that Lauren’s a Baltimore native didn’t hurt either. We hired movers (a whole other ordeal) and hit the road, moving in to the Hampden neighborhood immortalized in countless John Waters films.
Through being co-founder and co-publisher of Beautiful Losers Magazine, I’ve had the opportunity to partner with two talented writers, Austin Wiggins and Dario Cannizzaro. Austin and Dario have both recently released new collections of short fiction (check them out in the links at the end of the post). Seeing Austin and Dario put out such quality works inspired me to write my first book. Without getting into too much detail, the novel is about an underground cabal of high-powered individuals clandestinely engaging in child abuse. This story, like any other, needs a setting. While the cabal operates out of New York (my hometown, a city I know like the back of my hand), the protagonist is a Baltimore native. Of course, being new to the city, depicting Baltimore authentically can be a challenge.
So, how did I tackle that challenge of writing Baltimore and not looking like an outsider or someone who had no idea what he was doing? Simple – I followed a few basic principles.
- Explore Your Location. If your setting is in a real place, or even if it’s a fictionalized version of a real location, visit the place! Talk to people from there, frequent restaurants, coffee shops, bars, and other establishments. Get an idea of the culture. Even just walking around observing people (not in a creepy way!) and the location can do wonders towards understanding a place. If a location is too far away and/or not financially possible to visit, simply go to the Internet. YouTube has videos of virtually every location on the planet. Watch them!
- Ask Questions. Find a native from the place you intend to write about and ask them whatever questions you might have. If you don’t have any friends or family from that location, again, take to the Internet.
- Treat The Location As A Character. Many novice writers make the mistake of either writing too much or too little description in their novels. Hit the right balance by integrating the location whenever possible into your story, but don’t overdo it. You want your readers to feel as if the story is taking place in a specific location/s, not in some formless world. That said, your novel isn’t a Wikipedia article either.
- Modern Day, The Past, or The Future? If you’re writing about a setting from the past, do your research. If it’s the recent past, interview people who lived through the era. If you’re writing about a setting in the future, examine the location in its current state and make predictions about how it will differ in the near or distant future.
- Live There. Nothing’s better than total immersion if you want to authentically capture the feel of a place, but if that’s not feasible, the first four options should more than suffice.
Do you have any tips for writing setting that might help our readers? Share them with a comment!
If you’re having difficulty with writing the setting and need a ghostwriter or developmental editor, consider working with me by clicking here.
Are you serious about moving forward as a writer? If so, you’re going to need to hire an editor. For all my readers who’ve found my posts valuable, I invite you to work with me on your manuscript. Furthermore, I offer a 25% discount to the following groups:
Whether you’re in high school, college, or graduate school, if you’re currently enrolled as a student, yet still pursuing your writing career, I applaud your initiative and recognize that funds can be tight. That’s why I offer a 25% discount to all students.
Many of my family members and friends are serving or have served in the U.S. military. The courage and sacrifice of these brave men and women should be rewarded. That’s why I offer a 25% discount to members of all branches of the armed forces, both active and retired.
The ability to persevere despite challenges is one of the best character traits a person can have, and instantly worthy of respect. To that end, I offer a 25% discount to all disabled individuals.
My grandmother donated to Native American charities her entire life. It’s a family tradition for us to respect the cultures of the Native American groups of this country. That being so, I offer a 25% discount on all services to any Native American.
We all have our biases. When it comes to literature, I have a strong preference for transgressive writing. Transgressive writing has little regard for the niceties of polite society, or what’s respectable to the traditional turtlenecked literary man or woman. Transgressive writers are outlaws, and as such present life on the edge. As someone who writes transgressive literature, these ten authors are huge inspirations.
- Charles Bukowski
A red pill writer on the nature of romantic relationships, the horses, and life in general, Bukowski is still the ace of the field.
Representative Work: Women
2. Hunter S. Thompson
He rode with the Hell’s Angels and took more drugs than thought humanly possible.
Representative Work: The Rum Diary
3. Bret Easton Ellis
An LA bad boy, with work filled with the glitz and sleaze that permeate the world of the rich elite.
Representative Work: American Psycho
4. Junot Diaz
Both socially aware and extremely raw, Junot Diaz might be the best writer alive.
Representative Work: The Brief Wondrous Life of Oscar Wao
5. Irvine Welsh
He wrote the book that inspired Trainspotting. Nuff said.
Representative Work: Skagboys
6. William S. Burroughs
He shot his wife, was a heroin addict, and did some of the most interesting experimental prose ever written.
Representative Work: Junky
7. Terry Southern
He co-wrote a borderline pornographic novel based on Voltaire’s Candide.
Representative Work: Candy
8. Tao Lin
The godfather of hipster lit.
Representative Work: Taipei
9. Chuck Palahniuk
The first rule of Fight Club is you do not talk about Fight Club…
Representative Work: Fight Club
10. Daniel Clowes
He introduced Enid and Rebecca, two of the biggest BAMF’s in comic history.
Representative Work: Ghost World
Honorable Mention: David Foster Wallace
Did I miss anyone? Who is your favorite transgressive or alt-lit writer?
Suffering from a lack of inspiration? Major case of writer’s block? Try these five easy ways to get inspired to write!
- Reading. Seeing the characters, concepts, and ideas of other writers can stimulate your own creative juices.
- Silence. Too much stress in your life? Take some time out to relax and watch your creativity shine.
- Fun. All work and no play makes for dull writing. See friends, go out, have fun – you might just have a memorable experience worth writing about!
- Others’ Stories. Go on Facebook, Twitter, WordPress, or through your cell phone address book. Ask yourself what interesting things can be fictionalized from your friends’ experiences? A helpful note: If it’s embarrassing to them, change the details to protect your friendship.
- Writing Prompts. Still completely baffled? When all else fails, there’s a wealth of writing prompts online.
What do you do when you’re out of ideas? Please share a comment to help other writers in this predicament!
March 2013 was a breakthrough month for me. It was the first time that I had my poetry accepted by a competitive literary journal. Despite majoring in creative writing at Beloit College, where I graduated in 2007, I didn’t have my first piece published anywhere until six years later. I didn’t think I was that good, and the professor who wrote “Don’t make a career out of this” on one of my short stories did wonders for my confidence. I quit writing for a while, but my friend Russell Jaffe got me engaged in poetry again, helping me with the basics of craft and offering me a spot in a poetry reading he had organized. I took the ball from there, rolled with it, and in short time started getting my poetry published in many interesting literary magazines.
As much as I liked writing poetry and enjoyed the works of Bukowski, Neruda, Ginsberg, and many of the alternative/outlaw poets on the Internet in the journals in which I was getting published, I had always been, first and foremost, interested in reading and writing fiction. After I quit my job as a college instructor/librarian I spent a lot of time working on short fiction. Given my friend Rairigh Drum’s generosity in offering me a rent-free spare room in her and her husband’s home in Clarion, Pennsylvania, I had plenty of time to devote to writing, considering that I didn’t have to work much over the next few months, as I had amassed a decent savings from my job. My stories were good. When I showed them to Rairigh, she was impressed. They were a far cry from the admittedly awful work that she remembered me passing her way when our campus clique would hang out. It was a big compliment to see how much, in her eyes, I’d improved. But improvement or good work isn’t enough. The fiction needed serious work. Rairigh again showed her generosity, working with me to develop the plot and characters, and showing me what to rewrite, helping along at times too. The result? A number of my stories were published. It wouldn’t have happened without Rairigh’s edits. They’d just be stories that were good, but not good enough.
Rairigh was my developmental editor, but what exactly does that term mean? How is that any different from a copy editor or a line editor, and why do I need an editor in the first place? The answer to that last question? Because every serious writer needs an editor. Sure, you can catch some things here and there, and make your work better with multiple revisions, but every author has many blindsides when it comes to their own work. I would never release a novel or short fiction without going to Rairigh first, and I’d strongly suggest that all writers work with an editor before attempting to publish or self-publish their writing. Below are the types of editors and what they do:
What they do: A copy editor ensures that your writing is free of any errors in spelling, grammar, or punctuation.
What they don’t do: Improve the actual prose or structure of a work.
What they do: A line editor ensures that your writing is tight, focusing on paragraph structure, sentence flow, word choice, and forward movement. Line editing usually comes with copy editing as part of the process.
What they don’t do: Improve or suggest ways to improve the structure of a manuscript.
What they do: Hiring a developmental editor provides the most intensive level of improvement of a manuscript. A developmental editor trims, re-writes, rearranges, and writes new passages/chapters of their clients’ work. Some developmental editors may just critique your work, offering suggestions for a writer to implement on their own.
What they don’t do: For most intensive developmental editors, line and copy editing are standard additions; however, for those offering critiques, line and copy editing are not included.
In full disclosure, I provide copy editing, line editing, and developmental editing for authors of fiction, nonfiction, and short stories. I offer 25% discounts to writers who are either disabled, of Native American origin, are current or retired U.S. military personnel, or are high school or college students. If you would like a free consultation, or if you’d like to work with me, please email me by clicking here. If you’d like more information about my editing services, please click here. Thank you!