25% Discount on Editing Services for Students, U.S. Active/Retired Military, The Disabled, and Native Americans

Are you serious about moving forward as a writer? If so, you’re going to need to hire an editor. For all my readers who’ve found my posts valuable, I invite you to work with me on your manuscript. Furthermore, I offer a 25% discount to the following groups:

Students

Whether you’re in high school, college, or graduate school, if you’re currently enrolled as a student, yet still pursuing your writing career, I applaud your initiative and recognize that funds can be tight. That’s why I offer a 25% discount to all students.

U.S. Military

Many of my family members and friends are serving or have served in the U.S. military. The courage and sacrifice of these brave men and women should be rewarded. That’s why I offer a 25% discount to members of all branches of the armed forces, both active and retired.

The Disabled

The ability to persevere despite challenges is one of the best character traits a person can have, and instantly worthy of respect. To that end, I offer a 25% discount to all disabled individuals.

Native Americans

My grandmother donated to Native American charities her entire life. It’s a family tradition for us to respect the cultures of the Native American groups of this country. That being so, I offer a 25% discount on all services to any Native American.

To work with me, simply send an email here. To learn more about my copy editing, line editing, developmental editing, and critique services, click here.

Should You Hire A Line Editor For Fiction? A Copy Editor? A Developmental Editor? A Quick Guide To Making Sense Of It All!

March 2013 was a breakthrough month for me. It was the first time that I had my poetry accepted by a competitive literary journal. Despite majoring in creative writing at Beloit College, where I graduated in 2007, I didn’t have my first piece published anywhere until six years later. I didn’t think I was that good, and the professor who wrote “Don’t make a career out of this” on one of my short stories did wonders for my confidence. I quit writing for a while, but my friend Russell Jaffe got me engaged in poetry again, helping me with the basics of craft and offering me a spot in a poetry reading he had organized. I took the ball from there, rolled with it, and in short time started getting my poetry published in many interesting literary magazines.

As much as I liked writing poetry and enjoyed the works of Bukowski, Neruda, Ginsberg, and many of the alternative/outlaw poets on the Internet in the journals in which I was getting published, I had always been, first and foremost, interested in reading and writing fiction. After I quit my job as a college instructor/librarian I spent a lot of time working on short fiction. Given my friend Rairigh Drum’s generosity in offering me a rent-free spare room in her and her husband’s home in Clarion, Pennsylvania, I had plenty of time to devote to writing, considering that I didn’t have to work much over the next few months, as I had amassed a decent savings from my job. My stories were good. When I showed them to Rairigh, she was impressed. They were a far cry from the admittedly awful work that she remembered me passing her way when our campus clique would hang out. It was a big compliment to see how much, in her eyes, I’d improved. But improvement or good work isn’t enough. The fiction needed serious work. Rairigh again showed her generosity, working with me to develop the plot and characters, and showing me what to rewrite, helping along at times too. The result? A number of my stories were published. It wouldn’t have happened without Rairigh’s edits. They’d just be stories that were good, but not good enough.

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Rairigh was my developmental editor, but what exactly does that term mean? How is that any different from a copy editor or a line editor, and why do I need an editor in the first place? The answer to that last question? Because every serious writer needs an editor. Sure, you can catch some things here and there, and make your work better with multiple revisions, but every author has many blindsides when it comes to their own work. I would never release a novel or short fiction without going to Rairigh first, and I’d strongly suggest that all writers work with an editor before attempting to publish or self-publish their writing. Below are the types of editors and what they do:

Copy Editor

What they do: A copy editor ensures that your writing is free of any errors in spelling, grammar, or punctuation.

What they don’t do: Improve the actual prose or structure of a work.

Line Editor

What they do: A line editor ensures that your writing is tight, focusing on paragraph structure, sentence flow, word choice, and forward movement. Line editing usually comes with copy editing as part of the process.

What they don’t do: Improve or suggest ways to improve the structure of a manuscript.

Developmental Editor

What they do: Hiring a developmental editor provides the most intensive level of improvement of a manuscript. A developmental editor trims, re-writes, rearranges, and writes new passages/chapters of their clients’ work. Some developmental editors may just critique your work, offering suggestions for a writer to implement on their own.

What they don’t do: For most intensive developmental editors, line and copy editing are standard additions; however, for those offering critiques, line and copy editing are not included.

In full disclosure, I provide copy editing, line editing, and developmental editing for authors of fiction, nonfiction, and short stories. I offer 25% discounts to writers who are either disabled, of Native American origin, are current or retired U.S. military personnel, or are high school or college students. If you would like a free consultation, or if you’d like to work with me, please email me by clicking here. If you’d like more information about my editing services, please click here. Thank you!